Architecture
Gingerbread Jubilee
Nov 28th
This past week I discovered a wonderful event which I’ve already decided will become the kick-off activity of the holiday season for me every year from now on. One of the pluses of moving to a new community is being exposed to its unique festivals,celebrations and institutions. Here in the Rogue Valley (and, specifically, the city of Medford) is a lovely performing arts center, the Craterian Ginger Rogers Theater. Opened in 1924 as a venue for both live traveling performances and popular movies of the day, it was transformed in 1997 into a community performing arts center after languishing unused for several years. The famed dancer/actress purchased a ranch here on the Rogue River in the ’40s and was a quiet but active member of the community until her death in 1995. She supported fundraisers focused on the remodeling of the old Craterian; hence, the addition of her name to the site.
The theater hosts an ecletic assortment of national concert, dance and theatrical tours each year in addition to several local and regional dance and musical entities and is operated by a non-profit organization. For several years now, the largest fundraiser for that group has been the annual Gingerbread Jubilee. On Tuesday I trekked downtown, plunked down a measly three dollars and spent the next 90 minutes thoroughly amazed and impressed with the ingenuity, skill and artistry of those who submitted the 48 entries on display. There were a few different divisions – student, adult, individual and group — and very few rules. The only one that really seemed to matter is that everything used in each creation had to be an edible item (not just gingerbread). The more I looked, the more I spotted some really amazing adaptations of cereal, various kinds of pasta and even dried seaweed as building materials!
This being the 150th anniversary of Oregon’s statehood, several displays depicted well-known historical sites and events from the past. There was a lovely recreation of the Chateau at the Oregon Caves National Monument, a 1934 rustic wooden hotel; a covered bridge complete with goldfish-cracker residents ”swimming” in the “river” below; a log homestead with a rock-candy chimney. Most impressive for its intricate detailing inside and out as well as the age of its creators was a beautiful rendition of a one-room schoolhouse. Tiny fondant-molded coats, hats, gloves and lunch boxes cluttered the cloak room; desks contained books and were covered with crayons, calculators and papers with homework problems sketched on them; outside, a lizard sunned itself on a bench next to a basketball hoop. All of this was created by a team of students aged 5 through 11 who attend a charter school in the area.
Other entrants were inspired by the holiday season (creche scenes and the North Pole), the environment (“Save the Penguins” and salmon streams) and popular culture. Where the Wild Things Are was represented by Max’s room growing out of one of the pages in the book, with some of the wild things — perfect replicas — romping nearby. One of my favorites was the house from the movie Up invented by a 17-year-old girl who created the three-story structure in amazing detail inside and out (rabbit-eared T.V. and gramophone included). Garnering “Best of Show” was Saurusville, designed by a woman who has entered the Jubilee several years in a row and is truly an artist. Inspired by her 5-year-old son’s infatuation with the PBS kids’ show Dinosaur Train (for which she and he created a separate entry depicting the train winding its way through a tunnel and around some mountains on its way to the town), she dreamed up an entire community including a four-story hotel, cinema, bakery shop and apartments with dinosaur denizens included. How does anyone, let alone someone with a 5-year-old, have the time and patience to create such wonders?!
I left the exhibit utterly charmed and amazed. My past meager attempts at very simple gingerbread houses taught me just enough to realize that the individuals who made these elaborate creations possess an unbelievable amount of imagination, stamina and patience (and steady hands!). They even inspired me to consider taking another stab at a gingerbread creation in the future. In the meantime, though, I will be more than happy to look forward to attending this annual event to begin each Christmas season with healthy doses of whimsy, wonder and awe.
– Patty Vanikiotis, proofreader
Travel Must-Sees
Sep 23rd
I take about ten trips a year, most stemming from business. I always try to attend a sporting event in my destination city. I am pretty good at scheduling, so I rarely even have to extend the trip to accommodate a ball game.
This year, I have seen baseball games in Houston, Detroit, Milwaukee, Minneapolis and both sides of New York. I have gone to these games with many combinations of people, including friends, relatives and business associates. Later this year, I will be seeing a football game in Houston and possibly a college game at the University of Michigan.
In the September issue of Global Traveler, several men (from several cities) combined on a letter talking about their experience at Houston’s Minute Maid Park. They said they often used baseball as the backdrop for an evening of light business talk and bonding.
I know some people who always try to visit the city zoo when traveling. Others always want to see the downtown area, whether the city is a thriving metropolis or a small, folksy town. Some of my friends are into architecture and seek out interesting structural forms.
Obviously, everyone has different interests, and most cities will have something for everyone. Even the tiniest towns in the middle of nowhere have points of interest; but then again, those towns probably don’t get a whole lot of business travel, anyway.
I would love to hear if any readers out there seek out specific things while traveling on business and if you add extra time on your trip to accomplish your goal. Do you have “must-see” places like museums, ballparks or historical locations? If your business trips are “just business”, let’s hear about that, too.
GT magazine’s section of readers’ letters is limited by space and topics. This blog has endless space (okay, I am sure there probably is a gigabyte maximum, but I doubt we will approach that). So as the late Harry Caray bellowed before singing during the 7th inning stretch, “Lemme hear ya!”
–John Wroblewski, distribution specialist
The Bean
Sep 2nd
According to an article I read recently, the Bean in Chicago is ranked No. 4 on the list of the Top 100 Most Photographed U.S. Landmarks. The Bean!?!?
Actually, the Bean is really Cloud Gate at AT&T Plaza in Millennium Park in Chicago. The 110-ton elliptical structure is the work of British artist Anish Kapoor. It is a seamless series of stainless steel plates which reflect the skyline. The Bean nickname was originally eschewed by the artist and those involved, but it has since been embraced due to its popularity.
I find the whole situation disheartening. Out of all the beautiful and historic sites in the United States, the Bean is the fourth-most photographed? It wouldn’t even make my top four in downtown Chicago! Within eyeshot is Lake Michigan, the Magnificent Mile, the Wrigley Building, Trump Tower, the Wacker Avenue bridges over the Chicago River — just to name a few!
Time calls it “an essential photo op.” It is interesting. I’ll give it that. The structure reflects the skyline and any people standing near it. It creates interesting images, but so does a funhouse mirror.
My opinion is not a statement of my dislike of the Bean. While it is true I am not a big fan of ridiculously priced, meaningless structures like this one, it is not the reason why I scratch my head at it making the most-photographed list.
The article asked, “What could be a better tourist photo than your contorted reflection with the Chicago skyline in the background?” How about a simple, yet beautiful picture of you with the Chicago skyline (at any angle) in the background? Like a good piece of meat needs no condiment to enhance it, the Chicago skyline doesn’t need a silly, shiny legume to enhance its visual appeal.
Everytime I am in the Loop area, I see something new. I see modern beauty and historic splendor. I see angles and colors and shapes. I see continual motion and great stability. I see all of this with my own eyes (without rose-colored glasses even!) everywhere I look.
–John Wroblewski, distribution specialist
Barcelona, Part III
Aug 23rd
Knowing how limited our time in Barcelona was, we decided we’d need to focus in on one aspect of the city for the day. We all agreed that we were shopped out, so we didn’t feel compelled to spend time in any more stores or shopping districts. Fairly quickly we agreed that we ought to zero in on something that was unique to this lovely city, and from there it was easy to choose to visit some of the Modernista architecture which is so emblematic of Barcelona. Barb had been doing some reading, so we followed her lead as we struck out, deciding to visit Sagrada Familia first, and then proceed from there to other, primarily Antoni Gaudi-designed sites.
I was determined to venture into the Metro, and Julie gamely joined me while Barb and Ann shared a cab. Having used subway systems in Chicago, London, New York and Germany, I found that Barcelona’s was fairly easy to negotiate. Signs and route maps, when not in English (and most were), were simple to decipher, and the system seems to provide routes to every corner of the greater metropolitan area. We bought a one-day pass for two zones from a vending machine, confirmed the line we wanted and the stop for Sagrada Familia, and arrived at the station across the street from the church not long after Barb and Ann had departed their taxi on the same corner.
I had seen plenty of pictures of this amazing church before, but none of them had adequately communicated the size and mass of this yet-unfinished structure. Its multiple towers stretch high into the sky, accompanied now by immense construction cranes being used to continue Gaudi’s great final project. We never ventured inside the gates, crowded as they were on this Sunday afternoon with visitors, but limited ourselves to circling the massive building and trying to take in just a fraction of the details of its unique facades. I added it to my mental list of places I will need to re-visit on my someday return trip here: I think one would need at least half a day to even begin to delve into this treasure.
Leaving the church behind, we crossed the street into a lovely, quiet park block shaded by purple-flowered jacaranda trees under which families with babies in strollers enjoyed their day off and couples walked hand in hand. The immediate sense of peacefulness which decended on us was a welcome contrast to the noise and crowds surrounding the landmark across the way. From there we decided to stroll onwards; it appeared from our maps that it wouldn’t be too great a distance for us to reach other iconic Gaudi projects: Casa Battlo and Casa Mila (also known as La Pedrera — “the quarry”). Bad news (for our feet): it was a longer walk than we initially thought. Good news: there were plenty of unexpected architectural treasures along the way which we enjoyed at least as much as those we had purposely sought out.
Towards mid-afternoon, Julie, Ann and I grabbed a cab to deliver us to Park Guell while Barb struck off on her own. The park, another Gaudi-designed project, was created on the site of a barren, rocky hillside and completed in 1914. We spent much of the rest of the afternoon exploring the paths and stairways which offered wonderful views south over the city. All sorts of trees, shrubs and flower beds make this a wonderful oasis, and Gaudi’s fanciful colonnades, benches and other structures provide one with delightful surprises throughout.
Late in the day our party regrouped at our hotel and decided to quickly tour the Museu Picasso in the Gothic Quarter before searching out a tapas bar for a late supper. The museum is located in adjoining medieval stone palaces and contains a permanent collection of a number of works primarily from Picasso’s early career, plus some wonderful pottery he did much later (colorful and delightful pieces!). We arrived only about an hour before closing and found that the entrance fee was waived–great! (By this point in our nearly two-week sojourn, we were doling out our euros carefully and trying to figure out if we could avoid visiting an ATM one more time.) From there we meandered down narrow streets and alleys of this very old part of Barcelona and rather randomly chose a tapas restaurant based partly on the menu board and partly on the looks of the place. At 8 p.m., we had our choice of nearly every table in the place, but before our first dishes arrived, nearly every one was full. We really enjoyed everything we ordered and shared; I only wish I could tell you what we had, but the evening is a bit of a blur. With our wake-up calls set for 3:30 a.m., we did not make too late a night of it, though I know we all wished we could have extended our stay in this lovely, vibrant city much longer.
–Patty Vanikiotis, proofreader Â










